Elephant and Castle Shopping Centre
Located at a major road junction, which became increasingly busy after the building of Westminster Bridge in 1751, the name Elephant and Castle is derived from a coaching inn that once stood at the site. In the early 20th century, the area became a thriving shopping and leisure area, called ‘the Piccadilly Circus of South London’ with a department store and two cinemas.
Heavily bombed in World War II, the site had to be substantially reconstructed, and this redevelopment included the Elephant and Castle Shopping Centre, designed by Boissevain & Osmond for the Willets Group, which opened in March 1965. It was the first covered shopping mall in Europe, with space for 120 shops on three levels and a two-storey underground car-park. In the sales brochure in 1963, Willet’s stated that “In design, planning and vision it represents an entirely new approach to retailing, setting standards for the sixties that will revolutionise shopping concepts throughout Britain." However budgetary limitations meant the project was scaled back and when it opened, only 29 of the 120 shops were trading.
Along with a substantial amount of post-war civic architecture in the area, the shopping centre is now slated for demolition, to make way for a £1.5billion redevelopment master-plan scheduled for completion by the early 2020s.
patten is a London-based duo who with the recent Requiem EP have released two albums and two EPs on Warp Records including the acclaimed futuristic industrial post punk-inflected electronics of last year's Ψ (Psi). With a wide catalogue spanning the outer edges of techno, hip hop, ambient, club music, grime, pop and industrial, their debut GLAQJO XAACSSO on London's No Pain In Pop, saw the start of their rise to wider prominence after early experimental CDRs & minidiscs circulated on their imprint Kaleidoscope.
The group is renowned also for lending their distinctive sound to the work of others with official remixes for artists including Björk, Giorgio Moroder, Caribou and Hauschka, and their RE-EDITS series which used heavy sampling (from artists such as Sade, Siouxsie and the Banshees, Death Grips and Joy Division) and restructuring of previous tracks, to create sprawling new textural compositions from existing music. The group create work across disciplines, recently setting up the creative agency 555-5555 producing everything from software, to video, events, graphic design, radio shows, and apparel.